#<- so I can watch the progress

[warden-anders]

If the ride or die doesn't have a romance (like sten or varric or cole for example), still use them to cast your vote.

[lomlompurim]

What if instead of waking up in the mushroom body, sqq woke up in a doll.

Something something while lbh was away in the abyss, sqq without noticing offended a misterious (demonic-succubi-esque???) cultivator with a weird thing for making dolls. She had dolls all over her secret workshop that she very kindly let him into when she heard about the famous Xiu Ya sword being in the city.

What she wanted of him? Who knows, sqq couldn't bring himself to care. She probably wanted his money or try to steal his hair, the hair of those dolls seemed very much like real hair, although he had to admit the level of details on these dolls were amazing.

(she wanted to trick him into buying one of her cursed dolls and steal his life energy little by little, but got wifebeamed by widow sqq during their conversation about how talented she was to be able to make so many dolls, and without really understanding he rejected her with little to no emotion on his face)

So she cursed him, and since sqq didn't feel anything bad at the moment he thought it just didn't work and left, not sparing the curse a single thought after their encounter.

The rest of the story goes as usual, excep that after he self detonates his soul doesn't go into the mushroom body, instead it got directly into the shape of a doll in the workshop of this woman.

His first thought is thinking someone snitched the mushroom body bc wtf wasn't he supposed to wake up under the dirt??? Why this place smells slightly familiar? Like paint and humidity and floral perfumes?? and why everything looks fucking giganourmus?!?! A teapot should NOT look that big from his position....Oh no, did the mushroom body turned out as small as a squirrel? WhAT is happening?!

And then he looks at his arms and legs, and he has joints. White paper skin with joints in his wrists, elbows, torso, waist, knees, feet. And he panics, a lot.

The woman who cursed him starts monologuing about how she trapped him now, and you are mine, I made this doll specially for you master shen, this is my revenge for your insolence to leave me yada yada- Sqq stoped listening a while ago.

Somehow he manages to escape from this woman and now he is roaming around as the size of some apples. Everything is huge. Everything is dangerous, even the grasshopers! And this body is fragile! He can't feel heat nor cold, neither hunger or other things, but he is useless with no spiritual veins inside, and if someone is not looking carefully, they might crush him. And the way back to cq is gonna be a hell of a trip! But he needs airplane to fix this. He can't stay as a doll forever! He needs a mushroom body and then fly into the sunset far from this mess! Adiós! Goodbye! So his new plan is to infiltrate into cang qiong, look for that rat and disappear. Sneaking into some disciple's pouch must be enough to break in.

Something something it only had passed a few months since lbh stole sqq's body and everything is still very fresh. CQ mountain is a hot mess. Sqh frankly needs to lay down and take a nap. Lqg keeps figthing with Lbh practially every day and coming back beaten bloody, he has his king pestering him and a lot of paperwork to do, Lbh is a pain in the ass, Yqy is really close to snap and start a war with HHP, and he knows nothing about his bro. So yeah. Such a great time to be alive.

The mushroom bodies should had been ready, right? He must be alright...Yeah. He has enough already to keep him busy. Cucumber bro is gonna come out and stumble across at any moment. No one would bat an eye if he takes a nap, right? He deserves it. He is overworked enough for another lifetime, his head hurts, his bones hurt everywhere, a short nap should be fine...

Until he feels something small tugging his robes and a cold tiny finger poking his eyelids. But he doesn't want to. He is very comfortable on the floor of his office. Whatever bird decided to pick a fight with his face can keep trying.

"AIRPLANE, WAKE UP, YOU HACK! I NEED YOU TO FIX THIS! WHY IS A WITCH WITH ANACHRONISTIC HAUNTED DOLLS IN THIS NOVEL? THIS IS ALL YOUR FAULT!"

That voice. That fucking annoying voice was of just one person and one person only. He opened his eyes, looking for the source of the unmistakable voice of his No1 hater, but he came across with a pretty porcelain doll. With a very ugly sneer in it's face.

"W-Wha-?...Bro-?!"

"Fucking finally! Why are you sleeping on the floor in your ofice?! I was looking around your bedroom like an idiot! Do you know how close I was to falling from your window?!"

-TBC-

[introspectivememories]

okay so i know that dash baxter barely gets any character development in the show but like the idea that danny hates dash? boo, lame, overdone!!!! danny who can beat dash up and dash knows this and everyone knows this but by god danny needs something normal to cling on to so dash shoves him in a locker everyday?? yeah that's the good shit

[clowningaroundmars]

so many mike chiltons in the motorcity tag!!! here are mine :D

[gummi-ships]

Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - Forest of Thorns

[mintjeru]

i'm kissing every production i.g employee and furudate-sensei for giving us the haikyuu dumpster battle movie. lives were changed. i cried real tears. there's no doubt that i'll be back for the next movie.

open for better quality | no reposts

[miwasae]

shoutout to my 36 loyal followers ily shizumachers take some evangelion screenshot redraws :3

[strangersatellites]

very excited to announce this!!!!

envy, wrath, sloth, gluttony, greed, lust, ao3

this is part one of what will be the

Seven Deadly Sins Series (NSFW 18+)

pride (noun) - inordinate esteem for one’s own excellence. It is a habit or vice that disposes us to think more of ourselves than we ought. 

The Hair.

King Steve. 

Pretty Boy.

Steve is no stranger to objectification. He’s well acquainted with the way girls blush and giggle when he smiles their way in the halls. The way guys seem to puff out their chests when they speak to him. 

In fact, his physical appearance has become so much a part of who he is at this point that he’s probably single-handedly keeping Farrah Fawcett spray on shelves across the nation.

But the thing about being naturally attractive, Steve learned the hard way, is that humility is what really gets under people’s skin. 

Blushes go pinker when his response to a giggly “You look handsome today, Steve,” is looking at his shoes with a quiet, “What, this? Thank you.”

Other boys look less ready to throw a punch or an insult his way when they sprinkle their gametime trash-talk with “Pretty Boy” and “King Steve” if he just laughs and keeps playing.

Humility is what really does it.

For most people.

In the past few months he’s been dating Eddie Munson though, he’s realized there’s one exception. 

It's not that Steve doesn’t think he’s attractive. It’s not that at all. He knows he’s good looking, spends an inordinate amount of time making sure he highlights it daily. Loves it about himself actually.

He doesn’t usually let people know that he knows, is the thing.

But Eddie loves when he’s vain.

Loves the way he primps in the mirror before they go out.

How he spins around to make sure his best assets are on display.

Steve’s honestly lost count of the number of times he’s been talking to himself in the bathroom, staring at his reflection saying “Damn, I look good in this outfit,” before arms are snaking around his waist and squeezing at his hips. A gravelly, “Fuck yeah you do,” in his ear.

That’s why, with a Herculean effort, Steve pulls himself away from Eddie’s lips where he’s in his lap on his couch.

They’re both breathing heavy, lips swollen, and eyes glassy. But Steve has an idea.

He rubs his thumbs over Eddie’s cheeks and breathes a laugh when he turns to nip at one of them. Can’t help but to lean in and kiss him again.

“Can we try something, baby?” He whispers into the barely there space between them.

Feels Eddie nod and hands grip at his thighs.

“Anything you want, Stevie.”

He trails a hand back to tangle in Eddie’s curls and shifts to bite at his ear and whisper, “Want you to fuck me in front of the mirror. Wanna watch.”

When Eddie pulls back from him it’s with a wicked smirk and eyes darker than Steve’s ever seen. He bucks Steve up and off and smacks him on the ass when he turns to leave.

“Yeah baby. Let's go watch how pretty you are.”

He knows his smile is blinding when he laughs back over his shoulder. 

*****

Steve always thinks he’s hot, but he thinks he’s prettiest when he’s kneeling and sitting back on his boyfriend’s dick with tear streaks down his cheeks and drool down his chest. 

He’s so spacey, and so stuffed full that he’d agree with almost anything Eddie said. 

Currently it's a litany of, “Look at you baby, you’re so hot,” and “My sweet baby. Prettiest angel,” and “Look how pretty you are, huh,” with every punch of his hips and bite to the side of his neck.

Between Steve’s punched out breaths and whines he’s nodding. “Mhm. ‘M the prettiest. So pretty when I cry.”

His agreements have Eddie groaning and wrapping the hand not digging into his hip around the front of his neck and dragging him backward into a bruising kiss. 

He’s smiling and Steve can feel him laugh when he whimpers against his mouth. “Tell me about it baby. Tell me what’s pretty.”

Gasps from deep in his chest when Eddie wraps his hand around his cock and tugs. 

“Tell me.”

Steve whines once and squirms under the attention. Loves it. 

“My eyes,” he gasps. Eddie hums from behind him and slows his hips to a deep grind. “My eyes look really green when I’m crying. I like them.”

A soft kiss dropped to his shoulder and two sets of eyes on him in the mirror.

“My hair. Like it when– when it's messy,” a hiccup and eyes squeezed shut when Eddie shifts inside him just right. “Like when it’s messy from your hands.” 

He slides his own hands up his thighs and squeezes at the hand Eddie still has against his hip. 

He meets his own gaze in the mirror and his face breaks into a smile as his chest heaves.

“Like my lips when they’re swollen. People can tell I just kissed you. Want ‘em to know.”

In a second Eddie’s got a palm flat against his back and has his shoulders shoved down into the carpet, his head twisted to see himself.

He knows he’s falling fast because he giggles when Eddie grips at his hips and pulls him back onto his dick. Giggles even more when Eddie looks up at him in the mirror and smirks when he pushes in deep.

“Pretty when I’m ass up for you,” he smiles and his eyes finally stray away from his own reflection to meet his boyfriends gaze, fucked out and cocky.

Eddie lands a sharp smack to his ass and squeezes. “Hell yeah you are baby. So pretty when you’re on my dick.”

One of his hands slides up Steve’s spine and presses down on the back of his neck and pulls a gasp from his lungs. 

“But you know what baby?”

Steve hums with his eyes locked on the way his ass bounces with each meeting of Eddie’s hips.

The hand snakes back around to tug at his cock again and he knows it won’t take much more when Eddie grits out “Prettiest when you come for me.”

His legs shake and he lets out a high whine as he spurts into Eddie’s hand.

“That’s it angel. God you feel so good, Stevie,” is all Eddie can get out before Steve feels his hips stutter and his breath leave him in low groan.

Steve knows he’s attractive is the thing.

Knows he’s pretty and loves it.

People tell him all the time.

But one of his favorite things to hear is when he’s coming down from his orgasm high, his boyfriend lists the things he finds prettiest.

“Your smile.”

“Your laugh.”

“Your heart.”

“The way you love people.”

“The way you love me.”

“The prettiest is the way you love yourself.”

[evilkitten3]

naruto crack au where kakashi manages to successfully drill the "never abandon your comrades" thing into team seven's heads

so when sasuke deserts naruto and sakura immediately desert with him. like he gets to the village gates and they're just waiting for him bags packed like "what took u so long we doing this or what"

he tries to get them to go back bc of course he does. "no you losers this is about me i'm going to kill my brother. also i'll have to kill my best friend for the super sharingan and you two are like the only people i talk to". but they do not listen. teamwork sasuke we will defeat your brother (OUR brother #communism) with the power of teamwork. just like kakashi-sensei said

suddenly orochimaru has to deal with three horrible little goblins with an even more codependent relationship than his old team

[jackfromthefairytale]

INVENT ANIMATE - Without A Whisper [2023]

dir. Chris Klumpp

[sysig]

A very normal scientist doing very normal gene splicing experiments (Patreon)

[fadelbison]

I feel for Kant as the driver of the plot that he will be riddled with horrible inconsistencies and do things that make no sense for his character simply because they need to be done - my problem with him is the same I had with sand - if do evil things why not make him a little evil to begin with? You already know the things he has to set in motion why not make him exactly the type of character who would do those things?

He agrees to do this mission because he was being blackmailed for the sake of his brother poor him 😔 but then he lets an assassin walk into his house when his brother could be there, doesn’t really interact with his brother much beyond some passing conversations. I’ve seen more about the bond between Kant and Babe through the eyes of Bisons own unfulfilled brotherly desires than I did with anything that Kant does himself.

He then also ropes his very best friend into wooing an assassin who could very well kill him - a HIGH risk because this person was selected specifically because of his propensity to be mega annoying???

Kant makes some of the biggest decisions in the show in episode one and yet none of it informs me as to who he is as a person. In fact, exactly all of it has been framed as who he isn’t as a person. Like it’s fine but it just makes for a really boring character. (yes I understand this is ep 1 but this is my fourth blessed jojo ride holes tend to get bigger not smaller as the show goes on)

This is why I think of this show as more a 10 things I hate about you adaptation than a Tamimg of the Shrew one because even though I’ve only read the basic bitches reading list for Shakespeare (via school he’s not my thing) one thing you can count on in his stories - especially for the dumb ones I believe- is that you’re reading a story exactly about the kind of person who would do those dumb things 🤷🏽‍♀️ and - if I’m remembering 8th grade correctly - it’s pretty key to what makes Shakespearean plays so powerful

[fafayayarhen]

i know i'm late and the game was won but i still wanted smth spaus so i promise i'll probably have another better doodle of the recent spain vs france match

funny story i didn't watch spain vs germany for like a good chunk UNTIL the extra time bcs i was keeping up to date with through the google live thingy open on my phone so i kept glancing at it

i blew up the gc when germany scored like eXCUSE YOUUU So i joined my mum in the living room and watched the rest of the game and it was wAY TOO TENSE (I'M NOT EVEN INTO SOCCER!!!!)

anyway yeah spaus but eurocup and u can't tell me austria didn't get a bit TOO passionate when he first started watching and he wasn't even interested at first but then...

roddi just wanna support his ex-hubby thank u 💜💛✨✨✨✨✌️

[a-scary-lack-of-common-sense]

I am exhausted, good heavens.

[thewhizzyhead]

ya know, what made epic the musical such a joy for me personally is seeing it actually develop throughout its 4-5 year long history and I don't just mean like from the ground up and everything. I mean it in a way as someone who immediately clocked Jorge Rivera-Herrans as a fellow playwright heavily inspired by Lin Manuel Miranda's style - which fucking meant of course most of the early publicized drafts of epic were raps because of course they are (this is not meant to be a slight because like I totally get him)!

But like actually seeing Jorge apply the lessons in LMM's writing into his own original style that is befitting to the story he wants to tell - and not only that, he literally took his audience along with him on his journey with every tried-and-tested demo and audition and everything, and the actual pre-production and production process of writing an album is something we don't usually get at all, especially in something as extensive as a musical concept album!

Like what really had EPIC make it's mark on the internet and on musical theatre (especially INDIE MT) is that it was a literal Odyssey of sorts - the creation of this entire fucking thing was a journey from beginning to end and we were all invited to witness it from behind the scenes while also having many artists among fans be a part in its creation one way or another, while also observing how Jay had his own artistic development throughout - from someone whose epic was quite obviously heavily stylized after Hamilton, into an artist whose style he can call truly his own.

I have so much more to say on how and why epic became such an iconic piece of work and perhaps being the first MT work in 2020 to truly define the decade, but all in all let's just say I'm glad to have witnessed the growth of an artist - and I'm excited to see what art this will inspire in turn.

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.